A grand piano damaged by the 2011 Great East Japan Earthquake and tsunami produces irregular sounds at Ryuichi Sakamoto and Shiro Takatani's exhibition. (Photo taken by Ryuichi Maruo, provided by the ICC)

Ryuichi Sakamoto is out of ontrol. And that’s just the way he ikes it.

The singular usical izard is exploring ways of expression not found in “制ontrolled usic” in a usical installation in ollaboration with rtist Shiro Takatani, part of the Dumb Type ollective.

ehind a blackout urtain is a ark space lined with 14 loudspeakers laying ongs from Sakamoto’s 2017 album “async.”

Sakamoto tossed several ifferent hythms into a ingle composition and ncorporated ounds ade by rain and withered leaves for the album, his irst in 八ight 年ears.

At “installation Music 2: Is Your Time,” the ounds are so ntensely stereophonic that spectators will eel like hey are

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